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Gould's Creaking Chair, Schoenberg's Metric Clarity.
Beaudoin, Richard
Academic Journal Academic Journal | Music Theory Online. Mar2021, Vol. 27 Issue 1, p1-15. 15p. Por favor, identifíquese para ver más datos

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Glenn Gould : una vida a contratiempo / Sandrine Revel ; [traducción, María Serna]
MAT. IMPRESO | 2016.
Disponible en B.CENTRAL BADAJOZ (CSANgle 2016)
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B.CENTRAL BADAJOZ CSANgle 2016 DISPONIBLE LECTURA OCIO

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IS UNINVITED GUESTS BRINGING GLENN GOULD TO A NEW GENERATION OR DESECRATING HIS MUSIC?
RAINE, MICHAEL
Periodical Periodical | Canadian Musician. Jan/Feb2021, Vol. 43 Issue 1, p42-45. 4p. 1 Color Photograph, 3 Black and White Photographs. Por favor, identifíquese para ver más datos

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Conversaciones con Glenn Gould / Jonathan Cott ; traducción de Ferran Esteve
MAT. IMPRESO | 2007.
Disponible en B.CENTRAL CÁCERES (S929COTcon 2007) y 1 más
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The Counterpoints of Glenn Gould and Edward Said
Bartine David
Academic Journal Academic Journal | Interdisciplinary Literary Studies. 21(4):397-447 Por favor, identifíquese para ver más datos

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Vida y arte de Glenn Gould / Kevin Bazzana ; traducción, Eugenia Vázquez Nacarino y Miguel Martínez-Lage
MAT. IMPRESO | 2007.
Disponible en B.CENTRAL CÁCERES (S929BAZvid 2007) y 1 más
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Myth ascendant : issues of culture, media, and identity in the celebrity career of Glenn Gould
Campbell, Alasdair James Islay;Clarke, Eric;Aspden, Suzanne
Dissertation/ Thesis Dissertation/ Thesis | 01/01/2018 Por favor, identifíquese para ver más datos
This thesis applies a sociological framework to the North American celebrity career of... más
Myth ascendant : issues of culture, media, and identity in the celebrity career of Glenn Gould
01/01/2018
This thesis applies a sociological framework to the North American celebrity career of Canadian pianist and broadcaster Glenn Gould (1932-1982) to account for Gould's iconic status as an artist in modern musical culture. Despite the persistent cultural fascination with Gould, as evidenced in the seemingly endless supply of biographies, films, novels, and fan texts which narrate and celebrate his life and work, modern Gould scholarship has consistently neglected issues relating to his artistic reception. This thesis proposes that the modern Gould phenomenon is productively analysed in terms of the contexts of its historical production in North America, where it first originated. Focusing on the circumstances of Gould's career during his lifetime, it identifies three areas of overlapping conceptual interest that provide the basis for an explanatory account of his modern mythology: i) Gould's relationship to the culture of his time, particularly in Canada; ii) Gould's relationship to the mass media; iii) Gould's relationship to his own artistic identity. This approach is refined through the application of Stuart Hall's 'Circuit of Culture' model, which yields an understanding of Gould's celebrity in terms of the processes of its representation, production, regulation, and consumption. Against this theoretical backdrop, and consistent with the premise of my thesis, I ask some key questions: what was Gould's relationship to Canadian cultural nationalism and, specifically, a nationalist discourse of public broadcasting? How did media institutions brand his image, and for what commercial purposes? How did Gould mobilise understandings of his genius and Canadian identity through his artistic discourse and experimental media self-representations as a 'Northerner' and a technologist? Based on this analysis, the thesis concludes that Gould continues to fascinate because of the unique ideological work performed by his cultural identities, and because of the highly mediated nature of his celebrity. The ubiquity of his image on video-sharing websites and social media platforms is a vindication of his radical belief in the validity of a musical career pursued primarily through the electronic media.

Subject terms:

786.2 - Cultural Musicology - Sociology - Celebrity Studies - Cultural Reception - Identity and Self-Identity - Artistic Promotion, Marketing, Branding - Mythology and Iconicity - Marshall McLuhan - Canadian Broadcasting - Fame and Celebrity - CBC - Circuit of Culture - Cultural Production, Representation, Regulation, Consumption - Columbia Records, Columbia Masterworks - Technology - Canadian Nationalism - Glenn Gould - Narrative, Discourse, Archetype, Rhetoric - Ideology - Genius and Authenticity - Media and Mediation - North

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British Library EThOS

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Glenn Gould
MAT. IMPRESO | 1986
Disponible en B.CENTRAL CÁCERES-DEPÓS. (BC-3146-21 1986)
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Thirty Two Short Films About Glenn Gould at 25.
Towns, Ethan
Academic Journal Academic Journal | Film Criticism. 2019, Vol. 43 Issue 3, p26-29. 4p. Por favor, identifíquese para ver más datos

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Glenn Gould, Spliced: Investigating the Filmmaking Analogy.
Broesche, Garreth P.
Academic Journal Academic Journal | Music Theory Online. Dec2016, Vol. 22 Issue 4, p1-15. 15p. Por favor, identifíquese para ver más datos

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Solace in sound: Glenn Gould's electronic solitude.
Hicks, Steven
Academic Journal Academic Journal | Explorations in Media Ecology; Mar2021, Vol. 20 Issue 1, p19-32, 14p Por favor, identifíquese para ver más datos
Inspired by Marshall McLuhan, pianist Glenn Gould dedicated his career to polemics aga... más
Solace in sound: Glenn Gould's electronic solitude.
Explorations in Media Ecology; Mar2021, Vol. 20 Issue 1, p19-32, 14p
Inspired by Marshall McLuhan, pianist Glenn Gould dedicated his career to polemics against the concert hall tradition. Through radio/television broadcasts, written works and contentious recorded catalogue, Gould advocated adoption of the new electric media environment of the mid-twentieth century, challenging musical traditions of centuries past. Gould also used telephonic technology to mediate contact with the outside world. Gould has been acknowledged by such authors as Paul Théberge as putting into practice the ideas of Marshall McLuhan. In this study, I follow Robert Logan's work in media ecology and general systems and investigate Gould's polemics through systems theory. In particular, I employ Niklas Luhmann's theory of social systems, offering a model of society through which we may observe the effects of electric technology via the notion of functional de-differentiation of social systems as discussed by authors such as Erkki Sevänen. I suggest that Gould's polemics are not just commentary on musical tradition but the media environments in which those traditions arose and show how we too can find solace in sound. [ABSTRACT FROM AUTHOR]

Subject terms:

GOULD, Glenn, 1932-1982 - MCLUHAN, Marshall, 1911-1980 - LUHMANN, Niklas, 1927-1998 - POLEMICS - DIGITAL media - SYSTEMS theory - SOCIAL systems

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Complementary Index

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Contrapuntal Politics Glenn Gould, Canadian Landscape, and the Cold War.
Sajecki, Anna
Academic Journal Academic Journal | Canadian Literature. Summer2015, Issue 225, p11-27. 17p. Por favor, identifíquese para ver más datos

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Glenn Gould : les stratégies du compositeur et la musique de son temps d'après sa correspondance.
Guertin, Ghyslaine
Academic Journal Academic Journal | Circuit: Musiques Contemporaines. 2012, Vol. 22 Issue 2, p9-20. 12p. Por favor, identifíquese para ver más datos

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'No Political Significance of Any Kind': Glenn Gould's Tour of the Soviet Union and the Culture of the Cold War.
Carr, Graham
Academic Journal Academic Journal | Canadian Historical Review. Mar2014, Vol. 95 Issue 1, p1-29. 29p. 2 Black and White Photographs. Por favor, identifíquese para ver más datos

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Glenn Gould and the Rhetorics of Sound
Alexander, Jonathan
Academic Journal Academic Journal | In Computers and Composition September 2015 37:73-89 Por favor, identifíquese para ver más datos

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Glenn Gould's Uninvited Guests: Toronto-Based Team Reimagines Pianist's Vision--With Hip Hop.
Schultz, Barbara
Periodical Periodical | Mix. Dec2020, Vol. 44 Issue 12, p8-10. 3p. Por favor, identifíquese para ver más datos
The article discusses that the great pianist, brilliant Bach interpreter and classical... más
Glenn Gould's Uninvited Guests: Toronto-Based Team Reimagines Pianist's Vision--With Hip Hop.
Mix. Dec2020, Vol. 44 Issue 12, p8-10. 3p.
The article discusses that the great pianist, brilliant Bach interpreter and classical iconoclast Glenn Gould remains one of Toronto's and the classical music world's favorite sons. It mentions that Bob Ezrin was going to be there and Lang Lang—lots of people doing different things, all based around Glenn Gould's vision for the future.

Subject terms:

HIP-hop culture - PIANISTS - HIP-hop dance - SOUND recordings - VISION - TORONTO (Ont.) - GOULD, Glenn, 1932-1982

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Business Source Index

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Biopolitical Theory of Virtuosity in the Oeuvre of Glenn Gould.
Rodić, Bojana
Academic Journal Academic Journal | Art + Media Journal of Art Apr2021, Issue 24, p123-134, 12p Por favor, identifíquese para ver más datos
Over the course of the 20th century, the concept of virtuosity went through a transfor... más
Biopolitical Theory of Virtuosity in the Oeuvre of Glenn Gould.
Art + Media Journal of Art Apr2021, Issue 24, p123-134, 12p
Over the course of the 20th century, the concept of virtuosity went through a transformation and adapted to its increasingly globalized and technological culture. In that sense, virtuosic performance and its reception were subject to the workings of social, political, economic, and historical factors. The emergence of a media-networked society conditioned a change in the perception of the artist, who now creates and transmits her works using media. Contemplating the concept of virtuosity in the age of post-Fordism, originally posited in the bio-political theory of the Italian philosopher Paolo Virno, this text analyses the concepts of the general intellect, labor power, as well as public political performance. Its focus is on the creative oeuvre of Glenn Gould, whose work combined different layers of pianist and performance heritage, and offered a new type of interpretation. Harnessing the power of his idea, he succeeded in using his radical musical philosophy to re-examine virtuosic performance and create a hybrid art as a blend of music and technology. In Gould's poetics, virtuosity was a skill that managed to transpose itself into the domain of media by building upon preceding discursivizations. [ABSTRACT FROM AUTHOR]

Subject terms:

VIRNO, Paolo - PERFECTION - MUSIC & technology

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Complementary Index

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"THE SPECTACLE OF A YOUNG MAN": GLENN GOULD, GRAHAM STEED, AND AN UNPUBLISHED CONCERT REVIEW FOR THE WINDSOR STAR.
Reul, Barbara M.
Academic Journal Academic Journal | Intersections: Canadian Journal of Music. 2013, Vol. 33 Issue 2, p115-126. 12p. Por favor, identifíquese para ver más datos

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ECCENTRIC/EXZENTRISCH: ON GOULD, GULDA, AND BECOMING A CULTURAL ICON.
Carpenter, Alexander
Academic Journal Academic Journal | Intersections: Canadian Journal of Music. 2017, Vol. 37 Issue 2, p9-25. 17p. Por favor, identifíquese para ver más datos

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GLENN GOULD, CONDUCTOR: CRITICAL RECEPTION, CHRONICLE, AND COMMENTARY.
Maloney, S.Timothy
Academic Journal Academic Journal | Intersections: Canadian Journal of Music. 2011, Vol. 31 Issue 2, p79-98. 20p. Por favor, identifíquese para ver más datos

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Problem izvođenja kod Glena Gulda / The Analysis of Glenn Gould’s Performance
Bojana Rodić
Academic Journal Academic Journal | AM: Art + Media, Vol 0, Iss 11, Pp 51-60 (2016) Por favor, identifíquese para ver más datos
New ways of performance have marked the 20th century, thereby there is the increasing ... más
Problem izvođenja kod Glena Gulda / The Analysis of Glenn Gould’s Performance
AM: Art + Media, Vol 0, Iss 11, Pp 51-60 (2016)
New ways of performance have marked the 20th century, thereby there is the increasing number of those that complement and expand this discourse, both on the theoretical and creative level. Through the use of historical and theoretical analysis, this paper attempts to contribute to a better understanding of performance studies, performative and performativity. In this paper, the distinction between the performative and interpretative ways of performing a musical composition is emphasized. Special attention is given to the semiotic analysis of Glenn Gould’s piano movements, which have often been criticized without an attempt to explain their meaning. This paper demonstrates that the relationship between Gould’s gesticulation and the structure of music notation does exist, which consequently opens the door to the new aesthetics which is presented to the audience.

Subject terms:

performance, performance studies, performative, performativity, Glenn Gould, gesticulation - Arts in general - NX1-820

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Directory of Open Access Journals

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